At 21h00 without the customary intro tapes, Christian suddenly emerged from the wings and commenced 'Joïa' on the grand piano, gradually the rest of the ensemble joined in. This extended piece included a drum solo by Marc and a sax solo from Alex. 'C'est Pour Nous' began with just Christian and Stella singing in the centre of the stage until eventually Isabelle and Julie backed them up from the far corners of the raised platform. Next up was 'Cosmos' (the slow version) for which Pierre-Michel took over the piano stool and Christian re-entered stage left for 'A Fiïèh'.
Christian then returned to the piano, swigging a bottle of water - which he joked, was actually vodka. For the next fifty minutes they performed 'Les Cygnes et les Corbeaux', which is still being re-arranged at every rehearsal - so each performance is totally unique. Offering were further enlarged when Lydia joined them on keyboards. 'Les Cygnes' now has long dense keyboard passages and some extreme dual drumming. The combination of Buire picking out a melody while Delouya plays the rhythm approaches the sound of a Christian Vander drum solo in full flight.
Eventually, the swans have flown away leaving just Christian at the piano with Stella bathed in a cyan aura for 'Hello'. Then the drummers materialise from the darkness with Pierre-Michel to embellish the sound. Lydia and Isabelle add gongs to the percussive assault. After the presentations they are recalled for a double encore: 'Purificatem' is almost a solo effort with Christian on the precipice. Finally we have the anticipated culmination 'Ehn Deïss', a nifty new vocal arrangement with Stella and Julie playing out a call and response interlude. Pierre-Michel spoils it slightly by over-emphasising the "flute" section on synth, thus unbalancing the mix of the best song of the night. Having said farewell ("Ehn Deïss") to the hordes, Stella tried to entice them to the Espace Kiron for the "Tous les Enfants" shows. Then the house manager re-lit the candles and swiftly ushered us into the darkness.